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Duerer Albrecht
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Albrecht Durer
(1471-1528)
The central figure in the German Renaissance was Albrecht D¨ırer, a painter and graphic artist, one of the most outstanding personalities in the history of art.
Albrecht D¨ırer was born on 21 May, 1471 in Nuremberg, south Germany, son of a prosperous goldsmith Albrecht D¨ırer the Elder (1427-1502), and Barbara Holper. His early training was in drawing, woodcutting and printing, which were to remain his main and favorite media throughout his artistic career. 1486 through 1489 he was apprenticed in the workshop of Nuremberg artist Michael Wolgemut.
He traveled much. In 1490 he left his native city for four year, probably initially visiting Cologne and possibly the Netherlands. He traveled to Italy twice in 1494-95 and 1505-07, visited Venice and Bologna, perhaps Florence and Rome. His fame was broadcasted through his engravings, and artists in Italy were soon drawing on them for ideas. In Venice he knew and admired above all the aged Giovanni Bellini. In 1495 he established his own workshop in Nuremberg.
His best known works are his 18 engravings of the Apocalypse cycle, the most interesting of which is The Four Horsemen of the Apocalypse (1498). One of his patrons was the Frederick the Wise, Elector of Saxony from 1496, whose portrait he painted in 1496. He commissioned D¨ırer to paint several altarpieces: The Seven Sorrows of the Virgin (c.1496-1497), The Jabach Altarpiece (c.1503-1504), The Martyrdom of the Ten Thousand (1508) and The Adoration of the Magi (1504), which is considered to be one of the D¨ırer's masterpieces. D¨ırer's other patrons for religious works were wealthy Nuremberg citizens, who commissioned the following pieces: Lot Fleeing with His Daughters from Sodom (c.1498), The Paumgartner Altarpiece (c.1498-1504), Lamentation for Christ (c.1500-1503), The Adoration of the Holy Trinity (1511). D¨ırer was also known for his portraits, which were frequently commissioned from him. Among his best are Portrait of D¨ırer's Father at 70 (1497), Portrait of Oswolt Krel (1499), Portrait of Bernard von Reesen (1521), Portrait of Hieronymus Holzschuher (1526). He also painted several self-portraits, which give us the greatest insight into his character and beliefs: Self-Portrait at 22 (1493), Self-Portrait at 26 (1498) and Self-Portrait at 28 (1500).
Throughout his life D¨ırer produced a lot of watercolour landscapes and nature studies, the best are Saint John's Church (1489), House by a Pond (1496), Willow Mill (1496-1498), A Young Hare (1502), The Large Turf (1503).
D¨ırer's greatest achievement in printmaking were the three engravings of 1513-1514, regarded as his masterpieces Knight, Death and the Devil (1513), St. Jerome in His Study (1514) and Melencolia I (1514). .... |
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[1] [2] |
