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Honore Daumier 's works
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Biography:
    Honor谷 Daumier (1808-1879) Honor谷 Daumier was born in Marseilles into the family of a glazier, who was fond of poetry and even wrote his own verses. In 1814, the family moved to Paris. Daumier started to study art in 1822 under the renowned artist and archaeologist Alexandre Lenoir. The financial situation forced Daumier to earn his living as a delivery boy, while at his spare time he sketched at the Louvre. About 1828, he learned the technique of lithography and began to work for small publishing houses. After the revolution of 1830 in the atmosphere of freedom of speech in France the role of mass media grew and the art of political satire flourished. In 1830, Daumier started to work for Philipon*s Caricature and Le Charivari. Satire against the king Louis-Phillip ※Gargantua§ (1831) brought him wide popularity, especially when he was sentenced for 6-months in prison because of it. A biting political cartoonist, Daumier contributed satirical drawings to various Paris weeklies for most of his career. Nearly all of Daumier*s cartoons were done with lithography. History of France and Europe, social and political relations, and statesmen, find a place in his works. According to his contemporaries he had an amazing memory and capability to capture the essence of the model, its plastics, mimics, gestures. His series of sculpture portraits of French deputies is amazing. At the end of the 1840s, Daumier*s interests shifted to painting, though he continued to issue many lithographs. His paintings however differ from his graphic works not only by techniques and artistic media but also by different subjects. Though his lithographic works embrace many themes, it*s impossible to find among them something like The Burden or a series of The Laundress. There is no irony in his paintings, in them he is a romantic, fully sympathizing with his characters. other examples. A Wagon of the Third Class. The Third-Class Carriage. The Beggars. Wandering Saltimbanques. In 1848, Daumier participated in a governmental competition on the topic of Republic; his work Republic is in D*Orsay now. Other paintings by Daumier have subjects more characteristic of Romanticism. The numerous canvases and drawings of the adventures of Don Quixote, from Cervantes* XVI novel, show the fascination this theme had for him. Don Quixote and Sancho Pansa. Daumier worked much, he left more than 4000 works of graphics, 300 paintings, 800 drawings, 1000 woodcuts and sculptures. But despite this titanic work he could not make ends meet all his life. He died in the house that had been presented to him by Corot. Corot secretly bought Daumier a house, and wrote to him, ※My old comrade 每 I have a little house for which I had no use at Valmondois near the Isle-Adam. It struck me that I could offer it to you and,....
Transnonain Street. 1834
Transnonain Street. 1834
Unknown, but Usually Said to be Count Charles-Henri Verhuel de Sevehaar (1764-1845
Unknown, but Usually Said to be Count Charles-Henri Verhuel de Sevehaar (1764-1845
Mr. Daumier, Your Series... Is... Charming... 1838
Mr. Daumier, Your Series... Is... Charming... 1838
Menelas the Victor. From the
Menelas the Victor. From the "Ancient History" Series. 1841
Penelopa's Dream. From the
Penelopa's Dream. From the "Ancient History" Series. 1842
The Beautiful Narcissus. From the
The Beautiful Narcissus. From the "Ancient History" Series. 1842
Pygmalion. From the
Pygmalion. From the "Ancient History" Series. 1842
The Nocturnal Travellers. c. 1842
The Nocturnal Travellers. c. 1842
The Beggars. c. 1845
The Beggars. c. 1845
Woman and Child on a Bridge. c. 1845
Woman and Child on a Bridge. c. 1845
The Kiss. c. 1645
The Kiss. c. 1645
The Widow at a Consultation. From the Series Les Gens de justice. c. 1846
The Widow at a Consultation. From the Series Les Gens de justice. c. 1846
Leaving School. c. 1847
Leaving School. c. 1847
Wandering Saltimbanques. c. 1847
Wandering Saltimbanques. c. 1847
Sketch for
Sketch for "La R育publique". 1848
The Conclusion of a Speech 角 la Demosthene. From the Series Les Gens de justice. 1848
The Conclusion of a Speech 角 la Demosthene. From the Series Les Gens de justice. 1848
"It's true you have lost your case... but you should have gotten a lot of pleasure hearing me plead
Grand Staircase of the Palace of Justice.From the Series Les Gens de justice. 1848
Grand Staircase of the Palace of Justice.From the Series Les Gens de justice. 1848
St. Magdalene in the Desert. c. 1848
St. Magdalene in the Desert. c. 1848
On the Shore. c. 1849
On the Shore. c. 1849
The Miller, His Son and the Donkey (Le Meunier, son fils et l'ane). c. 1849
The Miller, His Son and the Donkey (Le Meunier, son fils et l'ane). c. 1849
Don Quixote and Sancho Pansa. c. 1849
Don Quixote and Sancho Pansa. c. 1849
Martyrdom of St. Sebastian. c. 1849
Martyrdom of St. Sebastian. c. 1849
Ecce Homo. c. 1849
Ecce Homo. c. 1849
Women Running from Satyrs. 1850
Women Running from Satyrs. 1850
Bust of a Woman. c. 1850
Bust of a Woman. c. 1850
The Burden (The Laundress). 1850
The Burden (The Laundress). 1850
Ratapoil. 1851
Ratapoil. 1851
Bathers. c. 1852
Bathers. c. 1852
The Wrestler. c. 1852
The Wrestler. c. 1852
The Insurrection. c. 1852
The Insurrection. c. 1852
The Horses Drink. c. 1655
The Horses Drink. c. 1655
Two Lawyers. c. 1855
Two Lawyers. c. 1855
Don Quixote and Sancho Pansa Having a Rest under a Tree. c. 1855
Don Quixote and Sancho Pansa Having a Rest under a Tree. c. 1855
Sancho Pansa Going for a Call of Nature. c. 1855
Sancho Pansa Going for a Call of Nature. c. 1855
The Hauler of a Boat. c. 1856
The Hauler of a Boat. c. 1856
Reading of a Poem. c. 1857
Reading of a Poem. c. 1857
French Theatre. c. 1857
French Theatre. c. 1857
Passers By. c. 1858
Passers By. c. 1858
The Laundress. c. 1860
The Laundress. c. 1860
The Etching Amateur. c. 1860
The Etching Amateur. c. 1860
The Etching Amateurs. c. 1860
The Etching Amateurs. c. 1860
In the Theater. c. 1860
In the Theater. c. 1860
The Third-Class Carriage. 1860
The Third-Class Carriage. 1860
Advice to a Young Artist. 1860
Advice to a Young Artist. 1860
In Church. c. 1860
In Church. c. 1860
A Lawyer with His Client. c. 1862
A Lawyer with His Client. c. 1862
A Famous Motive. c. 1862
A Famous Motive. c. 1862
The Defender. c. 1862
The Defender. c. 1862
A Wagon of the Third Class. c. 1862
A Wagon of the Third Class. c. 1862
Exit from the Theatre. c. 1863
Exit from the Theatre. c. 1863
Scapin. c. 1863
Scapin. c. 1863
The Etching Amateur. c. 1863
The Etching Amateur. c. 1863
The Spectators. c. 1863
The Spectators. c. 1863
Crispin and Scapin. Oil on canvas. Mus育e d'Orsay
Crispin and Scapin. Oil on canvas. Mus育e d'Orsay
Chess-Players. c. 1863
Chess-Players. c. 1863
In the Omnibus. 1864
In the Omnibus. 1864
Three Amateur Musicians. c. 1864
Three Amateur Musicians. c. 1864
Theater Box. c. 1865
Theater Box. c. 1865
A Criminal Case. c. 1865
A Criminal Case. c. 1865
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